Thursday, 10 January 2013

Talaash, Kagti weaves a very included world

The picture is handsomely shot, and draws close with achingly adorable songs. It looks like somewhat clear - right from the label sequence that we are not here to observe a realist police officer procedural. I retain my last remarks for Aamir Khan: if, like me, you have a lingering recollection of the changing boy-man with interior hard quintessence - the one you plunged in love with way back in Raakh, or Dil, and have been being surprised about for years, you want view no further. Your Talaash has ended. Rediff - 3.5 Stars In Talaash, Kagti weaves a very included world large web, and she shades of colour it with the condition and the sky she and her collaborators create. Talaash has the sense of a noir picture -- a fine attainment for a Bollywood wares, where the snappy cinematography by KU Mohanan and the haunting setting count by Ram Sampath retains us on the edge. NDTV - 3.5 Stars By no signifies is Talaash the end of your explore for the exact whodunit. But there is so much going for this persuasive, slow-burning, well-acted tale set in the dark, grimy underbelly of Mumbai that you can hardly take your eye off the screen. The best triumph of Talaash is in the fashion in which it delineates its gallery of intriguing sustaining characters. None of them is a simple blur. Yahoo - 4 Stars Reema Kagti's Talaash is a suspense thriller that not only flaunts of a taut script but has a multi-layered structure that supervises to bag in adequate astonishments to retain the viewer lured till the very end. The storyteller's workmanship lies in the item that the modus operandi of the conspire looks like as intriguing as the motive of the crime.